ROBERT ELLIS
T H R I L L E R F I C T I O N
R E V I E W S
A New York Times "HOT LIST" Pick
"Los Angeles, under a cloud of acrid smoke...Robert Ellis´s
City of Fire is a gripping, spooky crime novel."
"Ellis vividly evokes Hollywood as a place of burning desires, where the boundaries between good and evil are blurred beyond distinction. Ellis´s prose is crisp, and his plot moves at a good clip. His characters are credible and complex."
Publishers Weekly, STARRED REVIEW
"Scorching. Deliciously twisted. Nothing is what it appears to be. Ellis succeeds masterfully in both playing fair and pulling surprise after surprise in a story that feels like a runaway car plunging down a mountain road full of switchbacks."
Murder Season: a terrific sick-soul-of-L.A. thriller
Joe Meyers, Connecticut Post / Hearst Media News Group
"The new Robert Ellis thriller, “Murder Season” (St. Martin’s Press), balances the reality of high profile murder cases with a wonderful protagonist — L.A. police detective Lena Gamble — who doesn’t buy the official story in what her superiors would like to write off as a cut-and-dried revenge murder.
"Before you can say 'Chinatown' we are immersed in a tale of mind-boggling corruption where virtually every character in the book — with the exception of Lena — has a hidden agenda.
"Ellis is a master plotter who keeps triggering surprises at regular intervals in Lena’s investigation so that most readers will race through the story to find out who is really pulling the strings in this complex two-case mystery.
"Along the way we meet wonderful characters including one of Gamble’s most world weary mentors, the celebrity defense attorney Buddy Paladino, who shares with Lena a bit of advice he heard from the father of his college roommate several decades earlier:
"'He told us that we needed to keep our eyes open. That there are a lot of nice people in this world — lots of nice people — but that doesn’t mean they’re good. Good is special. Good is very rare. You might only meet one or two, three or four, in your whole life. That’s why you’ve got to keep your eyes open. You can’t afford to miss one.'
“'Murder Season' is the first novel that I’ve read by Ellis and I was very happy to learn that it is the third book in a series featuring Lena Gamble. I can’t wait to read 'City of Fire' and 'The Lost Witness.'”
"As we approach the end of 2011, what should slip under the wire but one of the better thrillers of the year? Robert Ellis is not quite a household name yet, but on the strength of MURDER SEASON, his fifth novel, such a destiny seems inevitable. This is a strong, riveting read from beginning to end."
Robin Agnew: FAVORITE READS OF 2011
"The first chapter in this novel is truly masterful, and if I were teaching students a way to write a first chapter that laid in the themes of the book, set a tone, and did it concisely yet beautifully, I think I would use this chapter. Fancy writing shouldn't put you off reading it, however, because to miss this novel would be a crime.
And after setting the tone with the first chapter, 'Murder Season' is off and running."
Miami Examiner: TOP 12 BOOKS OF 2011
"Ellis's Lena Gamble is one character readers cannot get enough of. We want more!"
Deadly Pleasures Magazine:
BEST CRIME NOVELS OF 2011
CITY OF ECHOES and LAPD Detective Matt Jones ...
Jones becomes the quintessential loner, the detective working on his own against the establishment. He’s not a white knight, though—his character has some moral ambiguity. It is to Ellis’ credit that he takes readers deep inside Jones’ mind and behavior, so that when he acts out, readers understand why he’s doing it. In fact, I was so totally with him, I did not even see ahead to the consequences of Jones’ actions.
CITY OF ECHOES is a dark, gritty, one-sit read that is well worth your time and energy. Robert Ellis is one of those authors who isn’t a household name --- not yet, anyway --- but makes a rabid fan out of anyone who picks up one of his books. If you like Michael Connelly or Gerald Petievich, you should put Ellis on your must-read list as well.
Volume 15, Number 11
A riveting hard-boiled murder mystery of the first order, "City of Echoes" is an absorbing and entertaining read from first page to last and documents novelist Robert Ellis as a master of the genre. Certain to be an enduringly popular addition to community library Mystery/Suspense collections, it should be noted for the personal reading lists of mystery buffs that "City of Echoes" is also available in a Kindle edition.
Michael Connelly
"City of Fire is my kind of crime novel. Gritty, tight and assured. Riding with Detective Lena Gamble through the hills of Los Angeles is something I could get used to. She´s tough, smart, and most of all, she´s real."
"Fans of Michael Connelly and T. Jefferson Parker will relish Ellis' second crackling thriller featuring Hollywood robbery-homicide detective Lena Gamble. Ellis (City of Fire, 2007) serves up a killer crime tale with riveting characters and relentless twists."
"Know what a Chelsea Grin is? Readers who stay with Ellis' powerhouse of a novel are going to find out, and their response to this incredible bit of cruelty is sure to be mixed. Most will side with Matt Jones, Ellis' hard-bitten L.A. homicide detective, who thought he'd seen everything."
Robert Ellis' Manhunt Masterpiece
THE LOVE KILLINGS is the second book in the Detective Matt Jones series by Robert Ellis, and it follows the same spirit as the previous one, with the flawed inspector going through hell and back to crack an unsolvable case buried beneath layers of smoke, mirrors and deception.
Ellis skillfully builds up on what he already exposed in the CITY OF ECHOES, helping us get closer and closer to Jones. He is far from being a faultless character, but in the end he does have a respectable moral code he tries to stick by. His flaws make him seem very human and at times rather vulnerable, which is something many authors fail to achieve; indeed, Ellis has found a way to make us worry for the main character.
As the chase for Dr. George Baylor begins ... the atmosphere gets increasingly intense and frantic. Baylor makes for an engaging villain, having the brains and brawn to match Jones as well as an intimidating presence in the story. Whether or not he's present in a scene, we constantly feel how much everything revolves around him in the plot. When we do see him, we are constantly aware of the horrors he can cause, and Ellis has done a marvelous job at making us worry for his fate, giving us reason to believe that he may very well evade capture once again.
Once the book goes into full speed and Jones dedicates a hundred and ten percent of himself to getting Baylor we are treated to a non-stop roller coaster ride with its fair share of twists and turns.
Robert Ellis definitely doesn't meddle about with THE LOVE KILLINGS, aiming to offer a traditional and surprising murder mystery without any unnecessary bells and whistles. It's one of the very few novels where you'll find yourself actually concerned and wondering for what fates will ultimately befall the imperfect hero and the sinister villain. It's a thriller of the highest quality that won't let go of your attention, one that gives very high hopes for the future of the Detective Matt Jones series. If murder mysteries are your thing, then add THE LOVE KILLINGS to your collection. I guarantee you won't regret it.
John Truby, Author of The Anatomy of Story
Question: Do you have any scripts or novels that you would recommend to read for strong narrative drive?
John Truby: One writer, a novelist by the name of Robert Ellis, who writes crime stories and writes just some of the best crime thrillers that are out there today. If you want a master class on how to write strong narrative drive, especially on how to weave a complex, intense plot, take a look at the novels of Robert Ellis. Everyone of them is fantastic. And again, what you want to look for -- get under the surface, go under the hood and see how he's doing it. What you'll see are some of exactly the same techniques we spoke about today, like intense desire line of the hero, like having more than one opponent, including a main opponent who is responding to what the hero does. Again and again, Ellis uses all those techniques, and the payoff is tremendous.
A Los Angeles detective heads to the East Coast to help the FBI track down a serial killer in this sequel.
“Ellis (City of Echoes, etc.) eases new readers into the second Matt-centric novel. Having previously suffered betrayal, Matt has good reason to be paranoid, which results in a gleefully tense sequel as he quickly notices someone watching him. His relationships are complex … the mystery is straightforward, and Matt’s propensity for repeatedly asking himself questions keeps him (and readers) focused. The author’s writing is tight but descriptive. Though the prose is never unduly graphic, some of the murderer’s actions will likely make some readers queasy. The ending effectively sets the stage for the next installment. A persistently gripping thriller with strong characters.”
—Kirkus Reviews
The Love Killings
(Detective Matt Jones, Book 2)
The Girl Buried in the Woods
(Detective Matt Jones, Book 3)
In this third installment of a series, a detective’s latest investigation puts him in the crosshairs of a dirty politician and a dangerous man with mob ties.
“With an early focus on the possible murderers, Ellis’ (The Love Killings, etc.) series entry is more thriller than mystery. The author works this to great effect as the story reveals the burden of unearthing evidence. Ellis generates an impressive amount of suspense … the detective’s frankness also leads to brief conversations that, along with periodic action sequences, provide the book with a swift pace. Although this installment is not closely tied to the preceding two novels, its ending implies that Matt’s multivolume tale is far from over. Solid entertainment.”
—Kirkus Reviews
Ellis’s writing upholds Henry James’s symbiosis of incident and character, enhanced by his choice of settings, especially in THE GIRL BURIED IN THE WOODS.
In this The Big Thrill interview, he explains how a tragic, real-life incident triggered his interest in crime and crime fiction.
“THE GIRL BURIED IN THE WOODS was inspired by the murder of a young girl, Connie Evans, when I was a 10-year-old boy,” he says. “Her body was found in a shallow grave about a mile from my home. It shook me to the bone. While this is not a story about Connie Evans, her murder was where everything began.”
Writing is defiance, and every book rears up its own challenges while opening opportunities for creative articulation.
“THE GIRL BURIED IN THE WOODS is a complex thriller with multiple opponents,” he says. “Detective Matt Jones is under tremendous pressure throughout the entire story. He’s mending his wounds from books one and two. But even more, the relationships he has with other characters is rich and the experience of writing this novel was pitch perfect.”
The thriller genre has a full history, recognized traditions, and an enticing model which, in skilled hands, can help readers to understand the world in which the stories are set. Ellis’s writing has been further redefining the genre, and more so with THE GIRL BURIED IN THE WOODS.
“First and foremost, there’s a theme,” he says. “The story isn’t about the murders as much as it’s about the world the story and characters are living in. Even more, Matt Jones might be the hero, but he’s also a victim and under constant attack from multiple opponents.”
City of Stones
(Detective Matt Jones, Book 4)
A Los Angeles police detective looks into the brutal slaying of a journalist and his family in this fourth installment of a thriller series.
"A moody, white-knuckle murder tale. As in his previous appearances, Matt is a detective who doesn’t pull any punches. But he’s no antihero; he’s unmistakably concerned when his actions may put another in harm’s way. Ellis’ story moves at a steady beat; brief scenes and rapid-fire dialogue deftly showcase the detective methodically unraveling the mystery. Moreover, there’s a taut atmosphere, as Matt examines crime scenes alone; covertly meets someone at a fog-covered, darkened house; and even stumbles on another body. The narrative further intensifies once the villain becomes evident. Still, questions linger all the way to the end while the denouement will surely reverberate long after readers have finished this riveting book.”
—Kirkus Reviews